Good Night, and Good Luck

SAM'S RANKING: 9 out of 10

In 1954, TV newscaster Edward R. Murrow (David Strathairn) makes a risky decision to confront Communist-hunting Senator Joseph R. McCarthy on the air, especially having already been suspected of Communist activity himself. However, instead of backfiring, the confrontation is a contributing factor to McCarthy's eventual downfall.

Director George Clooney uses black and white cinematography and 50's makeup, hairstyles, and attire, along with real archival footage of McCarthy to keep the viewer's attention all the way through. Clooney, who also stars in the film, delivers a vivid (if curiously agoraphobic) portrayal of the time and place, even though the '50s appear depressing at times. The ending is a bit unsatisfying, but when you consider that this is based on a true story, you'll cut it some slack.

Strathairn leads an all-star cast as Murrow, with a mastered grim tone that's music to our ears. Clooney is equally good as Murrow's assistant, and Frank Langella is towering as the president of CBS.

The film may not be for all tastes--people who could care less about what happened fifty years ago will likely fall asleep. On the other hand, for history buffs, or for people who remember that time period, it is a vivid recreation of a time when fear gripped the nation. As Edward R. Murrow would say, "Good night, and good luck."

Super Bowl 44 (James)

Since Sam doesn't do sports, I thought I'd share a few thoughts about last night's game. I know just enough about sports to form an educated prediction about a big event, and going into last night my opinion was that the Saints simply would not be able to stop Indianapolis from scoring. New Orleans' defense was risky and aggresive and dependent on the big play, which worked beautifully against Favre and the Vikings but the Colts are a different story. Peyton would be the difference.

In one sense, my theory proved true...the Colts moved the ball easily the entire game. What I didn't anticipate was that Sean Payton would create such a brilliant game plan to limit the amount of times the Colts would HAVE the ball. I think Payton agreed with my theory...his defense would not be able to stop the Colts. That's why he made sure Drew Brees threw short passes in the middle of the field the entire game...keep the clock running. That's why the Saints went for it on 4th down late in the first half...don't give the ball back to Manning. And that's why they risked the onside kick to start the 2nd half...they couldn't afford to go down 17 - 6 right out of the gate.

In the end, Payton's strategy paid off. They wore down the Colts, and Harper's interception return for a touchdown was the one big play they needed. Despite amassing over 400 yards in total offense and outgaining the Saints by 100 yards, the Colts only scored 17 points. The Saints played a flawless game...few penalties, no turnovers and three long field goals backed up the daring plan Payton crafted for his team.

John Wooden once defined competitive greatness as "being at your best when your best is needed." For Super Bowl 44 it was a coach who was at his best in the biggest moment. Somehow I knew Payton would be the difference.

Finding Neverland (Sam)

SAM'S RANKING: 8 out of 10

In early 20th century London, eccentric Scottish writer/playwright James M. Barrie (Johnny Depp) is drawn to a widowed mother (Kate Winslet) of three boys, and begins to attach to them, despite disapproval from the boys' controlling grandmother (Julie Christie). Overtime, the family becomes Barrie's inspiration for "Peter Pan."

The film is based on a true story, but it differs from most films of its kind. For one, it never drags. Many films of its kind go on too long, and start to get boring, but "Finding Neverland" runs at perfect length, and is still able to reach the emotional heights it should, accompanied by a dazzling, Oscar-winning score and great costume design and set decoration.

Another interesting thing about the film is that it literally shows what is happening inside Barrie's imagination. Many thought it would take a genius to make that work, but the director proves us wrong. Perhaps because he shows Barrie's world versus the real world that the film always seems believable.

But the big highlight is the performances. Depp steals the show in an Oscar-nominated performance as the eccentric Barrie, with a pitch perfect Scottish accent, and Winslet is emotional as the boys' grieving mother. Dustin Hoffman is also effective as Barrie's producer, as is Julie Christie as the boys' controlling grandmother.

If you're tired of the recession, take a break and fly to Neverland. You won't be disappointed.